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Across the field, Walk the Moon dazzled an enormous and ever-growing mass of music fans.Nicholas Petricca’s pink hair blazed under the lights during the catchy (and vapidly fluffy) “Different Colors.” As the pop music magicians continued their fizzy performance at The Miller Lite Stage, Alabama Shakes fans headed to the Honda stage to secure a spot for Brittany Howard’s magnetic music.They took on tour three specially commissioned works: two sets of bi-lingual sacred songs, including the Director of Musics own set - Fem hellige sange, and a set from Adrian Self, plus an anthem from Humphrey Clucas, also set bi-lingually, O Jesu, blessed Lord.Find out more about the 2012 choir tour by reading the latest news article - The Boys on Tour!Sixth Street undoubtedly got even dirtier when the hordes of amped up partiers paraded through.There’s only one more day to bask in the first weekend of ACL.The limited stage decorations made room for his overpowering presence and the captivating light show.
Most fans made the most of it by passing beer along to strangers and guessing about Drake’s setlist.
Father John Misty lured the lyric-loving listeners to the Honda stage with his dark and twisty sense of humor.
Gliding across the stage in his black suit jacket and artfully messy man bun, Misty (Joshua Tillman) yanked the mic from its stand and warmly wooed the ladies with “I love you Honeybear.” The lyrics preached that “everything is doomed and nothing will be spared,” but the shimmering sunshine seemed to disagree with that doctrine.“When You’re Smiling and Astride Me,” was as gooey as the melting granola bars tucked away in fanny packs.
Voices hummed to Walk the Moon’s summertime anthem “Anna Sun” from across the park as the sound effortlessly wafted that direction.
The first stratospheric pitch in Alabama Shakes’ “Future People” sent goosebumps down sunburned arms.
Sweat rained down on those bundled up revelers during Tillman’s surfy rendition of “I’m Writing a Novel.”Father John Misty’s languishing, despairing ballad “Bored in the U. A” almost sent chests sinking toward the grass, but, in typical Tillman fashion, the singer/songwriter turned the performance into a satirical commentary laced with dark humor.